Shen Tang Publicly Responds to the Injury and Marriage Rumors
I’m Very Happy After Marrying the CEO Husband According to the AgreementShen Tang Publicly Responds to the Injury and Marriage Rumors marks a decisive shift in Shen Tang’s public position: she is no longer merely the injured subject of an entertainment scandal, but the person who determines how the story will be asked, answered, and circulated. Invited to the company by Wang Brother, a crowd of reporters and onlookers waits outside, expecting immediate access to the actress and firsthand information about her injury, her alleged connection with Li Xing, and the man rumored to have visited her in the hospital.
Setting and Provocation
When Shen Tang reaches the first-floor lobby, she sees a sea of people gathered beyond the glass doors, their expressions brightening as soon as they recognize her. Rather than approach blindly, she walks to the window, knocks on the glass, and types a question on her phone asking whether Wang Brother invited them. The crowd nods, confirming that the confrontation has been arranged through the very management structure that has helped turn her into a perpetual topic of discussion.
The circumstances expose the machinery behind Shen Tang’s public image. Her company’s public-relations team has previously paired her with virtually every male celebrity she has worked with in order to exploit attention around her, while rumors have branded her with insults including “loose tea bitch,” “plastic surgery freak,” “compensation scammer,” and “troublemaker.” The interview therefore does not arise from a neutral request for information. It is another attempt to convert her injury and private relationships into marketable spectacle.
Shen Tang Controls the Interview
The moment Shen Tang opens the door, the crowd surges forward and microphones are thrust toward her despite her facial injury. She immediately raises a hand and stops them, making clear that nobody may touch the wound if they expect answers. Once the reporters fall silent, she imposes a simple procedure: one question per person. The gesture converts a chaotic press rush into an encounter governed by rules she has stated herself.
The first question does not concern the assault. A reporter asks whether the person who visited Shen Tang in the hospital was her boyfriend. Shen Tang is caught off guard, especially because the questions were supposed to address her injury, but she does not retreat from the pressure. She gives an deliberately incomplete answer, saying that she likes him quite a lot while neither confirming nor denying a relationship with Gu Huaian. The statement is technically noncommittal, yet it feeds the public’s interest and preserves her control over what remains undisclosed.
Only after that exchange does the questioning turn to the assault. Shen Tang provides a full account of what happened, refusing to let the romance rumor entirely replace the bodily harm that brought her before the cameras. The sequence matters because it restores causality: the wound is not merely an accessory to gossip, and the injured person is not obliged to perform gratitude for the attention surrounding it.
Legal Threat and Strategic Ambiguity
The interview becomes more confrontational when someone suggests that Shen Tang went too far and implies that Li Xing would not have tried to beat her to death if Shen Tang had not pushed her beyond her breaking point. Shen Tang refuses the convention of saving face or softening her response for public consumption. She tells the reporters to report as they wish, but advises them to report truthfully because the legal department of the Gu Corporation does not show mercy.
The warning is both a threat and a tactical use of institutional protection. Shen Tang does not need to prove in the moment that legal action has already begun; she invokes a power the reporters already recognize and places the cost of distortion back onto them. Her statement turns the Gu Corporation from a distant corporate name into an active boundary around her reputation and safety.
She also leaves Wang Brother’s account deliberately vague. Instead of explaining everything he told her, she gives the crowd enough information to encourage speculation while withholding the details that would allow others to dictate the narrative. This ambiguity is not simple evasiveness. It is a form of media control: Shen Tang lets the rumor machine continue operating, but refuses to supply it with unrestricted access to her private life.
Consequences and Narrative Significance
By the time Wang Brother limps downstairs, bearing the pain of Xiao Yu’s kick, Shen Tang has already ended the interview. The reporters do not receive the unrestricted spectacle they expected. They get a disciplined subject who protects her injury, sets the order of questioning, answers the relationship rumor without surrendering confirmation, discloses the assault, and invokes legal consequences against defamatory reporting.
The action also clarifies the contrast between Shen Tang’s earlier entertainment-industry predicament and her emerging agency. She has been taught that even bad publicity counts as publicity, and her professional survival has depended on maintaining a constant smile while black fans and scandal-seekers increase her visibility. Here, however, the smile and the threat work together rather than canceling each other out. She performs composure for the cameras while using procedural control, strategic incompleteness, and the Gu Corporation’s legal reputation to resist being consumed by the spectacle.
The public response does not resolve the marriage rumor, but it changes its dramatic function. Gu Huaian’s presence remains suggestive rather than officially confirmed, while Shen Tang’s injured body and direct disclosure make the assault impossible to treat as mere romantic gossip. The event consequently moves her from passive target to narrative agent: the rumor continues, but its boundaries, risks, and most important facts are now shaped by Shen Tang herself.
